The struggling author

Almost ten days ago, I became a professional author, and I soon jokingly referred to myself as a struggling author.

This joke has turned out to be depressingly true, if not in the more common has-trouble-to-make-ends-meet sense: I have really struggled with the transition.

This in several regards, including:

1. The trouble with switching from my sabbatical and its great freedom to a more structured schedule. True, I likely used to spend about a full work-week per week doing things like studying, reading, writing blog posts, etc., with an eye on personal development, rather than (just) fun. True, my new schedule* is not that straining and still allows much more freedom than a desk-job. Still, the switch has been surprisingly hard, both with the needed extra self-discipline** and the restrictions on choice.

   *Currently, I have four hours a day set aside to plan/research/write, one hour to read specifically about writing, and a handful of hours to read literature that I believe to be helpful for my development (also see excursion). The proportions will likely shift away from reading as I develop my skills.

   **I know from experience that once I start to postpone tasks until tomorrow, things can slide very fast. This might be acceptable for a hobby, but would be disastrous for a professional career. I simply must take a different attitude than during my sabbatical.

2. I had great early problems using my time productively, to find out what I all needed and wanted to do and how to approach it. For instance, with most of my past (non-fiction) writing, I have just had an idea, mulled it over for a while, started to write, and the let the process take over. This has not worked at all—in part, because the book I have in my mind is has a lot of pieces that do not yet fit together. Indeed, I have so far written very little text, because the planning has taken over. While this is likely a good thing (at this stage), it leads to the next issue.*

   *I know that there is a school of “just sit down and write”. While I do not say that this is a bad idea, it does not fit who I am today and the comparatively complex book I am currently working on. However, I promise not to postpone the actual writing ad eternam and I do realize that planning beyond a certain point will not be productive.

3. What I had planned in my head during my sabbatical simply does not work: The pieces, again, do not yet fit together. I have too little of a clue what will happen beyond a certain point. The characters are too shallow. The overall rules of the universe are not yet clear. Etc. (Of course, all these are things that could make anything written too early “wrong” as things clarify.)

   On the bright side, I have made great progress and am actually starting to understand what I want to write. (Whereas I just believed that I understood it ten days ago.)

4. My understanding of writing fiction has altered dramatically. Being specific is hard, but the analogy of having read about cold water and the jumping into it shows the general idea. While it can be safely assumed that my understanding will continue to change over the years, this time has been humbling. In particular, I had not quite understood how much there is going on behind the scenes of a text. I have encountered advice about prose, motivation, character, …, in various forms since I was a teenager, but actually trying to write a non-trivial text contemplating such aspects is something different.

   This in part through writing (a first draft of) a short-story* in parallel to planning the book, which has been a very valuable learning experience. However, it has also shown me how long the distance to mastery still is.

   *While comparatively short, it is much more “intellectually ambitious” than the small exercise and experiment stories I have written in the past.

5. I have had various annoying and unexpected problems of other kinds, e.g. an unexpected computer crash* when I had really delved into my short-story or in that I have tried to use an external keyboard, which has had weird side-effects. (Specifically, killing the middle-button on my mouse and the Umlaut-generation on the keyboards. I still do not know what has gone wrong, despite hours spent trouble-shooting.)

   *They are very rare with me, but when they do happen, it is always at a particular inconvenient time. Moreover, with various passwords, encryption, user accounts, …, it can take a while before I am up-and-running again, which kills motivation.

Nevertheless, I remain with my decision: I might not have known how cold the water would be (at least not during the early days), but I did know that it would take years to get where I want to be, and I do know the difference between doing something as a hobby and doing it professionally—-the one is fun, the other is work. I also take comfort in sayings like “Aller Anfang ist schwer”* and “Alla är vi barn i början”**.

*German: Every beginning is hard. (More literally, possibly, “Everything’s beginning […]”.)

**Swedish: We are all children in the beginning.

A caveat to others, however: My situation is special. I have the luxury of having a few years worth of living expenses saved up and my decision to go pro was partially motivated by the wish to learn how to write fiction, in that I knew that being a pro would be helpful in a different manner from just dilly-dallying as an amateur with a dozen other interests. Most others should learn how to write well first and go pro later (if at all). Certainly, quitting a job the one week and concluding that writing will not work out the next (understatement of the year) is not a good career move.

Excursion on future updates:
Do not expect overly many. Between fiction and my (other) blogging, I will likely prefer to not burden my fingers with additional blog posts. Moreover, I intend to seek anonymous publishing, implying that sharing book-specific details might be a bad idea.

Excursion on reading:
An incidental, if possibly temporary, change is that I read in a very different manner at the moment. In the past, it was mostly a matter of entertainment; now, I often actively think about various aspects of the text, notably what works well, what does not, and respectively why. (Including formulations, structure, plot, …)

Advertisement