Michael Eriksson's Blog

A Swede in Germany

The 2020 Nobel Prizes: Women and the Nobel Prize

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I have traditionally posted on the Nobel Prizes and women once a year. I had not intended to do so this year, as I have more-or-less closed this blog. However, the results of 2020 were unusually interesting, and I will make an exception. I might or might not make future exceptions.

(I refer to earlier years for background, assumptions, etc.)

Looking at the three core Prizes, women provided 3 out of 8 Laureates and took 1.25 out of 3 Prizes, including the entire Chemistry Prize and a share of the Physics Prize—both of which are historically quite rare.

Considering 2018, there might be some change underway:* The female Laureates of 2018 and 2020 have doubled the number of female winners in Physics from two to four and almost doubled the Chemistry winners from four to seven. Moreover, the 2020 Chemistry Prize was won without joint male Laureates, which is a further rarity.

*Or just coincidence. If there is change, I leave unstated what type of change, for want of sufficient data. (But I note that I am highly skeptical to ideas like “STEM fields oppress women”, which was an original motivation in this series.)

The last ties in well with a portion of my discussion from 2019: The possibility that some women* have received a (partial) Prize more through having the right husband or male team-member(s) than through own merit. Here there is little risk of that.

*Men too, obviously, but in the context of the proportions of male respectively female winners, these would have a far smaller impact.

The “extra-curricular” Economy Prize went to two men; while the out-of-competition Literature and Peace Prizes went to a woman respectively an organization. We, then, have a total of 4 women to 7 men and 2.25 Prizes to 2.75. Whether looking at the core Prizes or the overall situation, this is arguably the best women’s year of all times.

Excursion on Literature:
Unfortunately, I suspect that some type of quota is in place, striving for approximately alternate male/female winners, or at least a rough long-term 50–50. In the last eight years, we have the sequence* F M F M M F M F, for four male and four female winners, and only one exception to the alternating pattern—and that exception might have been caused by the choice of Bob Dylan.

*F(emale) and M(ale). I tried W(oman) and M(an), but that was near unreadable.

Looking back further, since 2004 and the unfortunate win of Elfriede Jelinek, we have the following sequence: F M M F M F M M M F M F M M F M W. Here the trend is weaker, with three (new) and seven (in all) female winners to six (new) and ten (in all) male winners, with the difference being carried by a single three-in-a-row for men 2010–2012. Noting that other non-literary concerns, including other “diversity concerns”, might have played in, and that woman might well have a harder time as authors in the non-Western parts of the world, this is still suspect. For instance, having an only second (!) Chinese Literature winner in 2012 might have trumped the fear of having three men in a row, as might having the first Peruvian (in any category) in 2010.*

*True, this leaves open why yet another male Swedish winner was needed in 2011, but the general point of sex not being the only concern holds. Indeed, as Wikipedia on Tomas Tranströmer claims: “The Swedish Academy revealed that he had been nominated every single year since 1993.” A “this year might be the last chance” criterion could have played in; and he did die just a few years later.

This type of regularity is unlikely if chance was the only thing playing in. By analogy, flip a coin thrice and there is a chance of 1/4 that it will be three-of-a-kind over just these three throws,* while here the entire series of seventeen only contained one three-in-a-row and no four-or-higher-in-a-row. Further, the above sequence sees a full twelve transitions out of sixteen possible; flipping a coin, the expectation value would be eight.** If the sexes, unlike a fair coin, do not have a 50–50 probability, then the regularity becomes the more remarkable.***

*The first flip is uninteresting, there is a 1/2 chance that the second has the same side up, and another 1/2 that the third does too, for 1/4 in all.

**There is a 1/2 chance of a transition with any throw (excepting the first). 16 x 1/2 = 8.

***For instance, if we assume 60–40, then the chance of three-in-a-row over just the first three throws rises to 0.6^3 + 0.4^3 = 0.28 compared to the original 1/4 = 0.25. 70–30 gives 0.37, etc.

(But I stress that the above is merely suspect—not outside what can legitimately happen by chance.)

Excursion on the Chemistry Prize:
My first reaction when reading the motivation “for the development of a method for genome editing” (cf. Wikipedia on Chemistry Laureates) was that this was more a matter of Medicine/Physiology than Chemistry, which would have made a female win less unusual. However, the last few decades, similar motivations appear to be quite common. I am not certain whether I agree with general idea, but it is, then, not likely to be very important in the current context.

Excursion on references:
I did not keep track on references during writing, but mostly various Wikipedia pages. I am loathe to track them back, as this text has taken much longer than intended—exactly the type of problem that moved me to close this blog.

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Written by michaeleriksson

October 25, 2020 at 7:24 pm

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  1. […] has been two years since my last update. With the recent announcements of the 2022 Prizes, it is time to catch […]

  2. […] the Literature Prize, in that men and women win (almost) alternately. Cf. my entries on resp. the 2020 and 2021/2022 awards. Typically […]


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