One of my articles was almost upset by the 2009 unprecedented naming of no less than five female laureates, including a historically very rare Chemistry Prize and a first Economics Prize. I left a corresponding disclaimer that I would revisit some issues if this turned out to be a normal state of affairs.
It did not*: The following year saw not one single female laureate, neither did 2012—and the same applies to this year. 2011 did see three, but they all shared the Peace Prize. The remaining intervening years saw one or two laureates, of which only two came in scientific fields (the 2014 and 2015 Prizes in “Physiology or Medicine” each saw a woman among the three** winners.) The others were all Peace or Literature Prizes.
*Here and elsewhere I draw my numbers from https://en.wikipedia.org/wiki/List_of_female_Nobel_laureates and http://www.nobelprize.org/nobel_prizes/lists/women.html.
**The science Prizes are almost always shared, typically between the maximum three laureates allowed per Prize and year. Here and elsewhere, I will assume equal shares for the sake of simplicity and of avoiding leg-work. I do know of at least one historical deviation, however: Curies first Prize was shared in equal halves between the Curies and Henri Becquerel, with Marie and Pierre effectively receiving a quarter each.
Counting in 2016, we have seen a total of 8 female laureates with a total of 4 and 1/6 Prizes in seven years—a little more than one laureate and clearly less than one Prize per year. For comparison, the (admittedly cherry-picked) years 1945–1947 saw three laureates and 1 and 5/6 Prizes for very comparable numbers. 1963–1966 women did almost as well in numbers and scored in both Physics and Chemistry—in the 50 (!) years since, they have scored one Chemistry laureate and not one single Physics laureate.
In other words, there is at this juncture no reason to assume that we have entered a new era, nor that women are being artificially held back, as naive feminists like to claim: That the science awards have seen so little change, or even change for the negative, while Literature and Peace Prizes regularly go to women, is a clear sign that the main underlying reason is one of inherent differences between the sexes in these fields, be it with regard to ability, priorities, interest, or some other factor. How the Literature and Peace Prizes should be interpreted with regard to ability* is very unclear, due to the extreme subjectiveness** and the obvious recurring political agendas behind the awards; however, these are definitely areas where women are more inclined to get involved than in the sciences.
*But, outside of the scope of Nobel Prizes, I do note for the record that several of my own favorite authors have been women.
**Bear in mind that while the sciences can be subjective too, e.g. regarding what discovery is the more important, the problem is far smaller there. If worst comes to worst, almost any result in, say, Physics is something that we can test today or will be able to test in due time. There is no such test for works of fiction and many works lauded by one qualified observer is consider garbage by another. (Including the works of semi-recent Nobel Laureate Elfriede Jelinek—the choice of which caused a dissenting member of the election committee to resign in protest…)
As an aside, I see at least two possible explanations for the anomalous results of 2009: The one is sheer co-incidence, the equivalent of drawing a one-color poker hand. This is unlikely for any given hand, but keep drawing hands and it will eventually happen. The other is that female candidates were given an artificial leg up. In fact, this type of artificial support is extremely common in Sweden, where the drive to have men and women share everything 50–50 can be virtually pathological. Many consider the relatively low number of female laureates a failure of the election committees—or even of the respective field of science it self! They simple fail to understand that this type of award must be about accomplishment, not feeling good; about equality of opportunity, not equality of outcome.
On my website, I have at least two articles relating to the Nobel Prize for which the 2016 Prizes have given more input. Since I still have not gotten around to consolidating the website, I will address them in two blog posts (this being the first):
I have already concluded that the Peace Prize is a joke, often being awarded to those unworthy, for political reasons, for things that might deserve some other award but not one for peace, or otherwise absurdly. Many similar criticisms can be raised against the Literature Prize, which has a similar degree of subjectiveness and is also, as far as can be guessed from the outside, occasionally abused to support a certain ideology, world view, or similar*.
*Today, this would be something in the general Leftist family. In earlier years, others might have had an advantage.
This year, one of the most controversial awards in the history of the Literature Prize has taken place: Bob Dylan.
When I first heard it, I actually assumed that it was an real, non-metaphorical joke… At this point, I am not willing to give the Literature Prize much more credence than the Peace Prize—and the Peace Prize absolutely none.
Now, I do not deny that Dylan has been one of the more important makers of music of the preceding century. He has a considerable talent, he has inspired and influenced many of his colleagues, and his commercial (if somewhat paradoxical) success has been considerable. If not for his weakness as a singer, I would likely be a fan myself.
However, even if we assume that his works should count as literature*, there are considerable questions as to his worthiness when it comes to this type of award. There are many, many extremely capable “regular” authors that have accomplished so much more in terms of literary achievement and are still awaiting their Prize. Worse: Is Dylan even the most accomplished lyricist in the world of music? Unlikely: He is more likely to be the (or one of the) most famous and visible among the lyrics-centric artists—and one who had considerable importance for the sixties movements that find approval with the election committee. (Realistically speaking, and without denying his very considerable abilities, much of his fame is a result of having had the right message for the societal moods of the 1960s. Ten years earlier or later and he would have been a smaller deal.) His musical attraction also stems to a large part from his highly unusual melodies and delivery, and when we look only at lyrics his stature is considerably weaker than when we look at his music as a whole**. All in all, I sincerely doubt that Dylan was given the Prize in recognition of his literary accomplishments, with political reasons and/or an attempt to cater to the wide masses on behalf of the committee being more likely explanations.
*I am open to the idea myself. Indeed, when we studied Swedish literature in school, the starting point was medieval ballads. However, others might want to rule it out, and they could turn out to be right. Certainly, if viewed as literature, there should be a strong focus on lyrics and not the overall music.
**This is obviously a problem when trying to judge more or less anyone: What part of the overall impression is lyrics and what is music? Would the lyrics that seem so great work without the music or with different music? Etc.
As for the actual Peace Prize: Santos is not someone I had on my radar screen until very recently. However, it is notable that his peace plan failed in a recent referendum (for good reasons, in my impression, being to lenient with evildoers) and he might not have an entirely white vest himself, depending on how the above Wikipedia page is interpreted. In a best case scenario, he was chosen a year too early; in a worst case scenario, he is the same complete dud that Obama turned out to be in terms of making the world more peaceful.
Excursion: If Dylan is not the greatest musical lyricist, who is? Frankly, I have nowhere near the depth and breadth of knowledge to answer that question authoritatively, even discounting the necessary degree of subjectiveness and the complication of dividing credit within groups. However, I suspect that the number of candidates stronger than Dylan is very large and that someone with the corresponding depth of knowledge in a given, mature area of music (with lyrics…) could find several or many such candidates in that area—opera, musicals, rock, blues, jazz, …
Note in particular that many of the candidates will be local forces singing in international obscurity. For instance, Cornelis Vreeswijk and Evert Taube were living legends, when I grew up in Sweden, but I doubt that any non-Swedish readers will have ever heard of them. (Admittedly, they are both dead and therefore ineligible.) Similarly, many candidates are likely to be found outside of the infamous Top-40 and be unknown even to their own compatriots.
For myself, I am very impressed with the works of Tori Amos* and Depeche Mode in terms of lyrics. The artist for whom I have spent most time listening to the lyrics is probably Eminem*—while they are not necessarily stylistically or aesthetically pleasing, there is a lot to think about with regard to what they tell us about Eminem and how that might apply to ourselves. Simon and Garfunkel go in the other direction, with lyrics that are rarely deeply thought-worthy but often beautiful or original. My exposure to REM has been comparatively small, but from what I have heard so far they could rate very highly.
*In a twist, both Tori Amos and Eminem appear severely troubled and if the often raised accusation of misogynism towards Eminem is given credence, a corresponding accusation of misandrism towards Tori Amos seems appropriate, although she is considerably more subtle. (Consider e.g. the song “Precious Things” or the album “Boys for Pele”—the one containing lines like “I want to smash the faces of those beautiful boys”; the other even having a thematic title that implies sacrifices of men to a goddess… ) In both cases, it can be argued that what appears is not so much a statement about perceived truth about the other sex—but of personal weakness, feelings of inadequacy, and/or frustration with the other sex. To boot, this is something that the respective artists seems to be at least partially, possibly fully, aware of, partly using the lyrics as a means of self-exploration or -therapy.
In a first draft, I also included Sondheim, specifically citing “Send in the Clowns”, and Paul McCartney*. I do not rule out that I would rate either above Dylan; however, for the purposes of candidates for “best lyricists” they likely fall short, with my favorable impression being too based on the overall music. (With the added complication of who contributed what to that impression: A very significant part of McCartney’s work is co-credited with Lennon, often with unclear responsibilities. Sondheim’s greatest success and, to my personal knowledge, best result was the collaboration “West-Side Story”, with music by Bernstein. The music by Sondheim himself has been so-so in the few works I have seen in full, e.g. “Sweeney Todd”.)
*John Lennon is dead and not eligible. (But I would likely still have favored McCartney.)
In the mean time, I have “read” through the rest of GQ, finding there to be so little content that I spent about the same time turning unread pages as I did reading. The already discussed problems, with extreme amounts of advertising, an embarrassing picture-to-text ratio, poor writing, …, consisted through-out. I also got through roughly half of Wired, before giving up: Shallow, uninsightful, and very obviously written for those with only a fleeting knowledge of IT and related areas—very, very different from its image*. Better than the GQ, no doubt, but nothing that an IT professional, a hacker, a computer enthusiast, or similar should waste his time on. (Especially in Germany, where C’t, the likely best general computer magazine in the world, is available at every news stand.)
*It is possible, however, that this give-away was not representative for the normal edition, conceivably having been tailored towards GQ readers. (I am uncertain whether I have ever read Wired on another occasion.)
Not only do I see my opinion that GQ* is useless cemented, but I am forced to conclude that its main purpose is to sell products for third parties—even when we look at the officially non-advertising parts of the magazine. Now, that a magazine has some degree of “crypto-advertising” or is too kind to products for fear of losing official advertising is quite common. Here, however, the scope is so extensive as to erase the line between content and advertising.
*With some reservations for international variation. This was the German edition and an at least theoretical probability remains that other editions are better.
An interesting twist is that this alleged men’s magazine has a readership consisting of roughly 21 % women. Had this been a magazine with no ostensible targeting of a male audience, say one dealing with fashion or “lifestyle” in general, this would be unremarkable—if anything the female proportion would have been smaller than expected. For a men’s magazine? Not a good sign…
Knowing what I now know, I would be less embarrassed going up to the same cashier with a porn magazine* than with another GQ. She might or might not disapprove, but at least she will not think me an easily manipulated semi-illiterate with no grasp of good writing.
*Not that I would when the Internet is loaded with free-of-charge porn.
A few days ago, I picked up my first (and very likely last) copy of GQ in the German edition. I was motivated mostly by the combination of a GQ (of which I have long been mildly curious), a watch special (watches being a sometime interest of mine) and a “Wired” special, for the joint price of EUR 6.50.
Frankly, this is the most ridiculous piece of crap I have ever encountered. It is actually considerably worse than what I have always imagined* “Cosmo” to be. Even the infamous German “Bild-Zeitung” has more to offer. “Gentlemen’s Quarterly”? A more apt name would be “Valley Boys’ Quarterly”.
*Never read it, but it has very poor reputation outside of the bimbo community and somehow it has come to symbolize superficiality and lack of intellectual aspirations to me—the type of thing Carrie Bradshaw reads. Still, I honestly doubt that it can be as bad as GQ.
For starters, the amount of advertising is beyond what I had ever imagined. There is actually considerably more advertising than actual content (based on the 130 first pages out of 250). The first non-advertising item is found on page 21 (yes, twenty-one!). However, even this is just the table of contents. Moving on, the first real content is found on page 29…
As for the content it self, it is mostly superficial, poorly thought-through crap, littered with grammatical errors and stylistic disasters. Notably, it appears that the authors are unable to use conjunctions (“and”/“und”, “but”/“aber”, and the like) without terminating the preceding sentence—even when this leads to fragmentation, lack of coherence, and other problems that reduce readability far more than do long sentences. The proportions of images to text are certainly not on an adult level—and most images bring little or no value to the respective article. Many twelve year old children would be intellectually understimulated…
The specific articles featured are possibly not representative of GQ, seeing that this particular issue has the theme of “women”. However, the lack of quality is unlikely to be an exception and there are a number of truly awful examples of lack of knowledge and/or ability to think critically, even by the already low standards of journalists. For instance, four pages are spent on repeating the long-debunked feminist lie of women not receiving equal pay for equal work (see several other posts of mine)—those who think critically and look at the actual facts at hand know that any difference in pay arises from UNequal work, including differences in full-time and part-time work, years of experience, education level, relative prioritization of work and family, etc.
Another good example is a brief piece on vasectomies vs. tubal litigations: For some reason, the authors consider it “sexist” that more* tubal litigations are made than vasectomies. Looking at the cited factors like costs, the proportions could conceivably be irrational, but to call them “sexist” is to apply the type of mindless assumption of evil that drive the modern feminist movement. Too boot, the discussion consists of cherry-picking and overlooks two extremely strong arguments for why it is more rational to go with a tubal litigation: Firstly, a vasectomy performed at a typical age affects a far greater part of a man’s fertile period than does a tubal litigation of a woman’s. Secondly, about half of all marriages end in a divorce. If a man with a vasectomy remarries, going by typical preferences, he will be the one having to explain to the new wife that children are off the table, while a woman with a tubal litigation will have it far easier with her husband. The effects of the choice will be more with the chooser and less with an “innocent” third-party when a tubal litigation is chosen.
*Allegedly: I have not checked the numbers in independent sources, but would be entirely unsurprised if they were incorrect.
The woman-centric part stretches to roughly page 92*. The following 38 pages consists mostly of advertising (duh), including a 10-page block dealing exclusively with “Olymp” shirts. The rest includes a piece on Helgoland that is poor enough to have featured in an airplane magazine, and weird arrangements of images with minimal alibi texts.
*Within the parts that I have read/skimmed-in-despair. There is more to come, according to the table of contents.
For those who wonder: The watch special was OK, but not on par with the specialist magazines. I have not yet started on “Wired”.
I am currently considering buying an apartment, especially in the light of the inexcusable and utterly absurd behavior of my current landlord*. This has turned out to be extremely frustrating, even when discounting the predictable complication of attractive locations having high prices and low prices having unattractive locations (or some other problem). Consider:
*The one for my official residence in Düsseldorf. Not the one for my temporary apartment in Köln. I am very likely to write a long post on this at some point—but I am not certain that anyone will actually believe it! (Sometimes reality makes fiction look unimaginative…)
- In the flawed German system, I cannot hire* a realtor to search for me, because they only provide services towards the seller—for which the buyer has to pay.** Ask them to search for the buyer and they may or may not give a listing of the entries they currently have available***, but that is the last ever to be heard from them. If they do any work for the buyer, well, then they have additional work and no additional money…
*In any sense that matters. As a matter of form, a “hiring” is implied at the latest when an agreement to buy is reached with the seller, but for all practical purposes this just means that the buyer acquiesces to pay for the realtor’s services towards the seller. The real hiring is done by the seller—the buyer just pays.
**This used to be the case for rentals too. Fortunately, this idiocy has since been stopped—but only for rentals.
***More likely than not, they will either not respond at all or just tell the prospective buyer to have a look at their website—which is usually border-line unusable and highly uninformative.
- Realtors are highly problematic in other regards to, including that many of them only provide listings through meta-service providers like “Immobilienscout24” (effectively, Craig’s List for real estate), where they upload information provided by the seller, make the disclaimer that they make no guarantees whatsoever (just repeating in good faith), and wait for the prospective buyers to search. (Remember that the buyers are the ones who pay for this farce.)
- The lists of potential objects provided by most realtors and the large meta services often make no clear separation between apartments for buy-for-own-use and apartments for buy-and-rent-to-someone-else. These two use-cases are so different from each other*, however, that at least the buy-for-own-use-er will find half of the entries worthless— and often only finds this out somewhere towards the end of the page… The buy-and-rent-to-someone-else-er, OTOH, will be less than enthusiastic about the other half, because if he does not find a tenant, he is just leaking money.
*In theory, the buyer can get rid of an existing tenant through invoking “Eigenbedarf” (“own need”); however, this brings a considerable risk that the tenant will be uncooperative and possibly requires a costly and time-consuming detour over the courts. To boot, I have considerable problems with the ethics of this, its legality notwithstanding. “Pacta sunt servanda” is otherwise the theoretical cornerstone of German law, as well as of ethical business practices in general.
- Similarly, a very considerable proportion of the objects turn out to be “Zwangsversteigerungen” (court auctions; literally, “forced auctions”) that imply a considerable additional risk and a lot of bureaucracy that many are not willing to take. (However, it can have advantages for those who are willing to take the risk.) Of course, the price listed is then not the actual price but some vague estimate or minimum that could turn out to have nothing to do with the actual price paid by the winner of the auction…
*There appear to hundreds of realtors (be they individuals or companies) who each have just a dozen objects, of which just one or two are relevant to any individual buyer. It would be far better to have a dozen realtors with a few hundreds objects each. This too is likely a result of the flawed German model: The only reason that realtors do not have money effortlessly pouring in, is that the potential profits have lured too many people into this business…
- Due to utterly idiotic and over-killing money-laundering laws, the prospective buyer needs to give up a lot of information, typically including a copy of an ID document, even when just approaching a realtor with the wish for information on an object*. Not when he buys it, not even when he inspects the object in person, but when he makes a simple inquiry!
*Or so a number of realtors claim. I have not checked whether they are telling the truth, but am somewhat skeptical, because not all do require this.
- If everything seems to pan out, the object being really interesting, then the “Hausgeld”* turns out to be 400-something Euro instead of the the 100-something typical for the size of apartment I am looking for—might as well be renting.
*Frankly, I have no idea what this is in the English speaking world, but it amounts to a monthly fee to the apartment owners’ association to cover various costs, including for parts of the house not belonging to the individual apartments.
Looking at the U.S. Presidential election system, there is an interesting flaw in the two phases* involved: A candidate can win the first phase by having an ever so small majority, possibly even plurality, of his own party support him—and be without chance in the second phase through this support being too small.
*Preliminaries and main election. A case for more phases including preparations, declarations, nominations, and (of course) the election by the electoral college could be made, but I stick to the popular vote here.
In this setup, what is the best way to win an election? Make sure that a. you have a strong internal support, b. your opponent antagonizes almost half of his own party (or otherwise has a weak internal support and a strong risk of defectors). By planting, covertly supporting, whatnot, a poor candidate within the opposing party, the election result can be manipulated in a massive manner. The poor candidate does not even have to be “in on it”. In fact, I would be unsurprised if most variations of such (at least approximately) “divide and conquer” tactics work better when only the outside manipulators know the truth.
Notably, in the U.S. political landscape, with the two main parties both covering a very wide range of opinions and interests (the Republicans likely more so), this is not as far-fetched as it sounds. Take a candidate like Donald Trump*, who by playing the populist element and fringes of one party can gather a majority of his own party, while being highly unpopular in other parts of the party. Chances are that he will be able to mobilize a smaller share of the party members in the main election than a more main-stream/moderate/whatnot candidate—and he will see far more “defectors” from his own party than the opponent’s come election day**. In fact, a number of Republicans have actually publicly declared Hillary the lesser evil (something I very strongly disagree with, however problematic Trump may be). Similarly, with some reservations for how well the populism works, he is likely to miss out on most of the party-less vote.
*This post is very definitely inspired by the current situation. However, and I stress this strongly, I am not saying that this has actually already happened—just that it is a very real risk that it eventually will happen, the more likely after the parties have reviewed the events of the current election. However, similar stratagems have definitely been tried in other contexts in the past, notably during military conquests.
**Normally, almost every Republican voter will see virtually any Republican candidate as better than his Democrat counter-part (and vice versa), because even if flawed in character and sub-optimal in opinion, he will still be the lesser evil through belonging to the right party and having at least roughly the right opinions. The idea is to find a candidate who will disturb this principle with as many voters as possibly (while still managing to gain the party majority).
Say that election day comes, that the Republicans and Democrats are equally strong in general support, but that 80 % of the Democrats vote loyally while 20 % remain at home—and that only 70 % of the Republicans are loyal, 20 % remain at home, and 10 % actually defect. Well, that splits the vote 90–70, giving the Democrats an easy victory*, where we “should” have had a hard fight to the last hour of the election.
*Of course, with the all-or-nothing voting on the state level, such overall numbers are not necessarily important. However, in the given constellation, this would have kept every blue state in its traditional color, likely turned every swing-state blue, and quite possibly given some red states a do-over. The result is the same—an easy victory.
Now, consider the special case that you are put in charge of getting someone herself* almost unelectable elected. Suddenly, this strategy is not merely advantageous—it might be an outright necessity! For a disaster** to be elected, the opponent must at least appear to be similarly poor.
Bottom line: If you are Scylla and want ships heading your way, make sure the alternative is Charybdis.
*And, yes, I am most definitely talking about Hillary Clinton. However, I am still not saying that this is what actually has happened.
**In the case of Hillary Clinton, the disaster falls into two parts. Firstly, she is objectively a poor candidate, with a history of corruption, dubious qualifications, weird opinions, … She has even already more-or-less promised a cabinet with a male–female division of 50–50 based on the overall population distribution and ignoring actual suitability and availability of candidates—an idea fully on par with a wall to Mexico. Secondly, she is a candidate with handicaps when it comes to being elected, including being less than universally liked and more controversial among the Democrats than is safe for a candidate to be, being unusually disliked among the Republicans, being less telegenic and charismatic than many others have been (including Bill and Obama), and just (at least to me) appearing less natural.
Preamble: Through my work, I have spent a lot of time in hotels and apartments rented on a monthly basis, in addition to a number of more permanent residences. I intend to write down some of my experiences in a blog series (of which this is the first post), especially with an eye on several recent negative experiences, but also some more general, some (as below) dealing with unusual situations, and one dealing with how to live in hotels in the best manner.
A few days ago, I moved into an (at least by German and Swedish standards) very unusual apartment, roughly a hundred meters above the ground and with one of the most amazing views I have ever seen—better than many dedicated observation decks. This includes a fair bit of the Rhine, most of central (and not so central) Cologne, and a straight line of sight to the world-famous Cologne Cathedral (once the highest building in the world).
It is not quite the proverbial highest room in the tallest tower—but it is the third-highest (24th) floor in the 55th tallest building in Germany (according to Wikipedia; and, yes, the building does have its own Wikipedia page), with a clear majority of the taller buildings being used for offices and the like. By co-incidence, the second highest I have lived was also in Cologne, somewhere in the range 12th–14th floor, in a building clearly visible through my window, despite being several kilometers away.
After living here for just a few days, I cannot give a full evaluation of the house or positive and negative aspects of living so high above the ground; however, a few observations are possible:
- The exposure to the sun is not interrupted by other buildings, trees, and the like. The temperature within the apartment has been considerably higher than would have been expected from the outside temperature (by the standards of an ordinary apartment). While sub-optimal in the summer, this could be an advantage in the winter.
- This is compensated for by air movements being similarly uninterrupted: Open a window* and fresh and cooling air will pour in.
*The windows can all be opened, unlike in many newer buildings. In a building where they cannot, we had better hope for good air conditioning…
- A very unfortunate disadvantage, although I am not certain whether through the building’s tallness or its placement within Cologne, is disturbances through idiotic noise-makers—and that could get old very fast.
For instance, this weekend there was a demonstration of some sort that featured several hours of loud drums and several (or one multi-day) near-by events with third-rate music and hysterically shouting MCs. If such things happen often, they could poison the situation entirely.
Generally, I am of the opinion that such demonstrations and events simply should not be allowed in populated areas. If you want to have an event, an outdoors rock-concert, or similar, find an area outside of town, let those interested come to you, and leave those not interested (likely, a clear majority) in peace. If you have a political message to spread, start a blog or a party, talk to politicians, whatnot. Political demonstrations are only a legitimate tool for people artificially cut-off from otherwise expressing their opinions, e.g. through state censorship, or in situations involving a direct escalation against an unlistening and undemocratic* regime. Even in these cases, it is rarely sensible to demonstrate in general public areas and far better to do so in front of the appropriate government buildings.
*To which I count regimes that were democratically elected, but then ignore the will of the people or the peoples interests, go back on election promises in a large-scale manner, and similar.
- The apartment is a little run-down, but by-and-large well organized and thought through, including the provided furniture.
- An exception is the bath room which is small and has a shower bordering on too small*, a bathroom cabinet that partially blocks the sink, and a “platform toilet”**.
*According to the above Wikipedia page, the building was originally an office building, and it is conceivable that showers were added as an after-thought to existing toilets when converting to apartments, rather than setting up new bathrooms from scratch.
**A regrettable idiocy of the German plumbing are occasional toilets with an artificial platform that collects excrement above the water until the user flushes. Apart from the distasteful optics and increased risk of smell, this virtually guarantees that the user needs to apply the toilet brush after every “number two”, whereas a “normal” toilet is cleaned by the flushing alone possibly two thirds of the time.
- The water pressure is quite OK, contrary to my expectations, but it is hard to get cold water from the taps, probably because the long way from the ground or use of an internal water-tank (to ensure water pressure) gives the water time to grow tepid.
- The house-door uses a weird electronic key that requires a battery while still needing the key to be inserted into the lock and turned. Conceivably, this too is a left-over from the office-building days; likely the technology is a failed pre-cursor to later key readers, where a battery-less object, often a card, is simple held to the reader.
- The elevators have so far come in a timely manner and traveled with very few interruptions on the way. This is a positive surprise, seeing that elevators are often an issue even in buildings with less than a dozen floors. The explanation is possibly that the number of apartments per floor is low (three at “my” floor), while e.g. a hotel often has ten, twenty, or more rooms per floor.
- Did I mention the amazing view? If not: The view is amazing.