Michael Eriksson's Blog

A Swede in Germany

Posts Tagged ‘Society

A German’s home is not his castle / a few issues around inspections and meter readings

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One of the great annoyances with living in Germany is the one, two, or more* service companies that invariably demand entry to one’s apartment every year—after having made a one-sided declaration of date and time, and usually with a comparatively short** advance warning. Moreover, this is usually done through simply posting a notice on the door of the building (often on the outside), with the implications that (a) people who are not currently present, including those who live elsewhere*** and those currently on vacation, might not have the ability to react in time, (b) the notice can be removed by another party, including playing children. Of course, this type of announcement could easily be done by a fraudulent entity who just wants access to the apartments.

*I have three myself, and it might have been four or five had not the gas and electricity meters been outside the apartment… These are two to respectively inspect the smoke detectors and the exhaust/chimney for the gas heater, and a third to read the water meter. (An earlier text might have claimed that the chimney inspection took place once every three years. This was an early misunderstanding on my part.)

**I have not paid great attention, but a rough guesstimate would be ten days for a typical notice. I have seen less than a week on at least some occasion.

***For instance, those who try to rent out an apartment and who currently do not have a tenant; for instance, those (like me, in the past) who spend months at an end living elsewhere due to work.

True, missing the date is not the end of the world, because these companies are obliged to provide alternative dates upon request. However, this is usually not handled well. For instance, many notices fail to inform about the right to request a different date, and contact information is usually limited to telephone* only. The chimney-sweep, whose recent notice is the trigger for this text, does have an email address, but fails to mention it. The notice does mention the possibility of requesting an alternate date, but it does so in such a different font size and color (compared to the rest of the text) that I actually did not recognize it before a closer inspection.** Moreover, it speaks of a “rechtzeitig” (roughly, “timely”) contact, which is very vague and in most circumstance would be taken to imply that the contact must take place before the scheduled date (which is not the case and would be unconscionable for the absent). The smoke-detector service, on the other hand, appears to have no interest in actually going through with replacement dates,*** implying that my smoke detectors have not been serviced since before I bought the apartment, because the previous owner apparently also had problems with it. A similar issue is present with some other apartments in my building.

*Which, combined with typical office hours, can be inconvenient for those who work during the day, highly troublesome for those who work during the night, and a severe obstacle for the deaf and mute.

**But, unlike many others, I was already well aware of my right.

***Presumably, either to avoid the extra cost of a second visit or to push the delay to the point that there is a pseudo-justification to request a billable visit. (By regulation, at least a first replacement date must not come with an extra charge to the apartment residents.)

Now, the chimney inspector was open to providing a new date, but this too was fraught with complications. On the one hand, no dates were available before July 12th (still more than a month ahead). My suggestions of the 19th and the 26th, picked to have a greater time flexibility than the 12th, were rejected due to “betriebsferien” (“company holidays”) between July 15th and August 1st… Moreover, the possible hours were restricted independent of date, including a 3 PM upper limit Monday through Thursday and 2 (!) PM on Fridays. Effectively, to get it done after work is not possible without infringing severely on typical working hours—not just leaving an hour or so earlier than the colleagues. While “before work” is a little easier and might work for most local workers (but not for all and not for many commuters), the end effect is that a portion of the regular work day must be sacrificed. (That Saturday and Sunday are out entirely is hardly worth mentioning in Germany.) This continues an idiocy already discussed for delivery services—a failure to adapt to the needs of the service recipients in favor of a strict adherence to “traditional” working hours, even when the result is more work for the service provider. Indeed, here the working* hours are even a sub-set of the normal working hours, making it even harder. As elsewhere, an outdated world-view (or resulting “legacy procedures”) might have survived through the implicit assumption that every apartment comes with a house-wife.

*The word “working” might be misleading, because the individual employees might have other tasks to perform at other times. The end effect on the residents is the same, however.

Even in those cases, however, when everything works as planned, these notifications are problematic through giving intervals of hours,* often in the middle of the day. For instance, the gas-inspection notice gives 9–11 AM, which implies that even someone who works locally might be forced to take half-a-day off from work—and, when working in Cologne, I would have been forced to take so much time off that I likely would have skipped work altogether.

*Which, obviously, do not state how long the individual visit will take. Instead, it is an understandable matter of “we could come at any time during this interval”, with an eye on questions like how long the visits to other apartments, or even apartment houses, take. The long intervals make this issue worse than the similar problem discussed a paragraph earlier.

Looking at possible solutions, at least some of this will likely take care of it self over time, through the spread of new technology*. However, improvements here and now still make sense. For instance, how about requiring a considerably longer interval for notification, e.g. that notices must be published at least one month in advance?** How about a requirement that notifications are also given per e.g. email (to those who have registered in some manner)? How about more reasonable hours and/or days of visit? Or how about my personal pet idea: Have each city (or some other unit) coordinate two*** fix, known-to-all, and non-adjacent days a year, for some sub-area. On these, the residents within the sub-area are required to give access to (legitimate) service providers; on others, they must not be bothered****. Notably, this would bring great benefits even to the service providers, because they could cut the costs for repeat visits and most of their own efforts to coordinate with absent residents—or actually charge for them from day one. This scheme would, obviously, require a considerable first effort of coordination, but later adjustments are likely to be small for a typical year.

*Notably, meters that can be read electronically without entering an apartment. However, like e.g. my own current outside-the-apartment gas and electricity meters, this comes with an increased risk of leak of data to unauthorized third parties.

**Note that anything less than two weeks is inherently problematic due to the larger risk that e.g. a vacation absence prevents the residents from being informed on time. In contrast, a full month would make it a near certainty that the notice is present in time for the residents to react. Moreover, the longer interval makes it easier to arrange for e.g. a work absence.

***Using two, instead of one, allows for a greater flexibility, e.g. to compensate for a strike or to make life easier on service providers with unfortunate day collisions for serviced sub-areas; however, each service provider would be expected to only use one of the two (per apartment and/or sub-area), just like it is one day a year today. Note that reserving two days a year will not increase the effort for the average resident, because the two days are the same for all service providers (but it will allow for far better planning).

****Among these annual (or otherwise recurring) activities: when we move to more ad-hoc matters or something requiring a short-term response, e.g. a burst pipe, a strict adherence will not always be reasonable.

I note that as far as solutions are concerned, it is positive if a portion of the burden is passed from the residents to the service providers, because (a) the current system is constructed to the very one-sided advantage of the latter, (b) not all of these bring an advantage to the residents, notably the borderline idiotic yearly smoke-detector inspections and many chimney inspections and whatnots (also see excursion), (c) the matter of entering someone else’s home should not be trifled with. As to the latter, I would personally very much prefer never to have someone in my apartment that I have not explicitly invited (and I would not invite many to being with); other relevant concerns include the extra cleaning efforts that many, likely in particular the “neat freaks”, will feel necessary to make the apartment sufficiently presentable.

Excursion on chimney-sweeps:
The problems are increased by regulations relating to chimney-sweeps, who are responsible for some tasks in a semi-governmental role—including at least some inspections. Among the many problems is that there is one “official” chimney-sweep who has the right to perform the semi-governmental tasks in a given area: I am allowed to hire another chimney-sweep to perform various tasks—but not all tasks. Because the official chimney-sweep still needs to involved, there is a strong incentive to just stick with him through-out. To boot, it can be disputed whether the exact checks* involved in my case really should be done by a chimney-sweep at all, or not rather the gas company or a service specialist for gas-heaters.

*Strictly speaking, it appears to be more of an emissions check than a chimney check, with the chimney only playing in as far as a blocked chimney would lead to dangerously large emissions in the apartment.

I read up a fair bit my first year in the apartment, but have forgotten most of what I read by know. However, there were several web sites and/or forums dedicated to problems around the flawed system. One recurring issue (that I do remember) was skepticism towards the reasonability of inspection intervals in at least some contexts, and some inspections that were outright nonsensical, e.g. that chimneys that were not even used still needed* a yearly inspection.

*In the eyes of the local chimney-sweep. That his interpretation was even formally/legally/bureaucratically correct (let alone practical), was not always a given.

Excursion on other means to calculate costs:
The use of meters to measure consumption of e.g. heating* is laudable from a fairness perspective and might or might not give incentives to consume less energy. However, it is not the only approach possible. For instance, in Sweden, heating costs are typically included in the rent in a blanket manner, and this appears to work well. The heating costs per apartment might be higher** in Sweden, but this is offset** by the costs for reading meters. Similarly, the overall environmental impact might be greater***, but this is partially offset by e.g. the environmental impact of meter readers traveling in cars.

*One of the more common German meter-types is the per-radiator meter that attempts to track the amount of central heating used by individual apartments, to allow a corresponding division of the overall costs.

**The degree varies depending on what is measured and on details unknown to me. If only the cost for the service company is included, it is likely only a partial offset; if the lost time and extra effort for otherwise working residents are included, at least these are likely see approximately a full offset; and if we look at the overall societal cost, it is almost certainly more than an offset.

***After adjusting for the effects of a colder climate, or it would be a near given.

Excursion on use of “layers” in texts:
A very common practice in e.g. notices, advertisements, prospects, web pages, …, is to give different types of information a different “look”. This is presumably with the intention of putting information in “layers” to be read independently. In my personal experience, this works very poorly, because people (like I above) tend only see one layer at a time, which implies that the information put into a different layer through e.g. a radically different (foreground?) color runs a risk of being overlooked entirely, especially when having a poor contrast. Such layers might sometimes be helpful when the reader is aware of them in advance, e.g. when comparing the descriptions of many products that have the same layering. More often, it is likely better to not try such tricks and to rely on a simple text flow, intended to be read as a single layer. This text, in turn, might then contain changes in (background?) colors to high-light a different purpose without causing a layer division. If in doubt, just put the different layers on different pages. (Disclaimer: This excursion is unusually “spur of the moment” and might be unusually open to revisions of opinion.)


Written by michaeleriksson

June 6, 2019 at 4:19 am

New vs. good and the difference between being new and being novel

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A note on an earlier discussion of new vs. good:

An aspect that I was not sufficiently explicit about is the difference between the newly made and the novel (the previously unknown/unseen/unheard of, whatnot). My text ultimately dealt with the difference between the newly made and the well made. (Where “made” might need a change depending on the exact items under discussion.) It does not oppose the novel, which is not only often a characteristic of quality products but can sometimes even legitimately trump quality.

A good example of the latter is my recent encounter with some works by Karl Kunz: Were his works among the greatest that I have ever seen? Did they make him worthy of being put on a level with the likes of Picasso, Monet, Rubens, …? No and no. They did, however, show me something that I had not seen before and they did open my eyes to some possibilities of imagery that were novel to me—thereby bringing me more value than spending the same amount of time on a few more Monets would have.

This also exemplifies that, from an individual perspective, the novelty of a work need not be global and that the novel is not necessarily newly made. (Kunz died in 1971, before my own birth.) Further, that novelty, by its nature, can be fleeting: later encounters with Kunz are unlikely to bring as strong a reaction—and even the works of the true greats loose in objective value over time, because their main impact on the development of art has already taken place and their global novelty is increasingly a thing of the past.

If we revisit my movie examples, there is rarely much novelty present. True, the special effects might be a little more spectacular and there might be some odd twist-and-turn not hitherto seen—but the rest is mostly the same thing over and over again. Indeed, looking at how the last one or two decades have been filled with re-makes, adaptions from other media, further installments of old franchises, whatnot, there might be more novelty to be found in older movies… Moreover, when it comes to just “seeing a movie that I have not seen before”, which is a valid wish, there are more older than newer movies to chose from. The reasonable conclusion is to go with quality over newness.

Looking at my own blogging (also discussed in the original text), I often do bring in something novel (compared to my own earlier writings). However, from the point of view of a random reader, any novelty in a text published today has no greater value than that of a text published ten years ago*—simply, because he is unlikely to be familiar with these earlier writings. Nevertheless, it is the new texts that get the most views—and often just for one or two days**. It is clear that newness is rewarded—not novelty.

*Indeed, with some topics recurring again and again, it is conceivable that I have grown less novel…

**The short interval of popularity (by my standards) also speaks against explanations like my potentially being a better writer today than ten years ago, or my writing about something more globally novel more often.

Remark on language: Due to the subject matter, I use “new”, “novel”, and their variations in strictly separated senses above. This is not necessarily the case in other texts.

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June 3, 2019 at 1:32 pm

“Good Omens” / Follow-up: Undue alterations of fictional characters

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In the meantime, I have had the time to watch the remaining five episodes of “Good Omens” (cf. [1]).

The series does not quite reach my memory* of the book, but it comes close and is very good in its own right, bordering on a “must see”. Moreover, it remains unusually close to the source, with most of what I remember left in**, not that much added, and changes in other regards that were mostly non-distorting. This even for the too convoluted, unsatisfying, and overly convenient*** culmination/confrontation (which forms the “true” end of the book and series, the remainder being more of an epilogue)—something that leaves me with mixed feelings: on the one hand, I usually strongly dislike distortions of the original; on the other, this would have been a golden opportunity to remedy the book’s greatest weakness.

*But (here and elsewhere) remember that my last reading was years ago, which means that my memory could be off.

**If often shortened, which might be a necessary evil due to run-time. For instance, in the book, Adam and his gang had a greater exposure and more time to build sympathies and an image of their individual characters, and a rival gang was cut out entirely in the series.

***While neither a deus ex machina, nor a “and then I woke up” applies, we have the same type of convenience.

In a bigger picture, and with hindsight, [1] likely aimed at a too narrow target: While “Good Omens” does a good job (excepting PC issues), many other works have been exposed to changes that go beyond both the individual characters and the issue of (specifically) PC alterations. (The recurring reader will likely understand why I jumped the gun a little.) Super-hero movies based on comics tend to be particularly bad—to the point that it might be outright misleading to speak of an adaption of the comic (let alone an individual story) and that the movies simply cannot be considered canonical. Most often, they are something in the lines of an alternate-reality canon or a “based on characters”. Then we have issues like a movie version being made the one year and an incompatible movie reboot taking place a few years later (examples include the Fantastic Four and, twice!, Spiderman—even when just looking at live-action and a reasonably “modern” era). The several examples of gender-benders and “black-washing” that I gave with regard to Marvel movies are misleading, in as far as Marvel’s problem goes well beyond sex and race.

When switching mediums, I admit, some degree of compromise is hard to avoid. For instance, when going from book to movie, we have concerns like run-time, how to (and whether to) bring over inner monologue, how to handle narration when no explicit narrator was present, the addition of features not present in a book (notably, a score), the degree to which the actors chosen actually match the descriptions in the book, … With comics, the often decades long history of individual characters and usually highly troublesome canonicity situation in the comic, it self, makes the task of making a movie unusually hard. Changes and compromises can be a necessary evil in order to make a quality adaption possible. The problem is that far too many works are brought over in a manner that sees the original version as just a rough guide-line or even just an inspiration. (To boot, I do not see it as a given that a successful book/comic/whatnot should automatically be turned into a movie/TV-series/whatnot, or vice versa.)

Revisiting what I said about “Good Omens” in [1], problematic sex and color choices continued through-out, including handing the part of the archangel* Michael to an actress. Not only is this a male name (my own name, in fact), but this is the second Michael gender-bender in a comparatively short period of time. Prior to this, I had only ever heard of a single (real or fictional) woman carrying that name—actress Michael Learned, who was often billed with an explicit “miss” to avoid miss-, sorry, mis-understandings.

*In all fairness, angels have often been depicted in an asexual or ambiguous manner in art in the past, and I might have given the series a pass, had it not been for the God issue—as I did with the movie “Constantine” and the archangel Gabriel (played by Tilda Swinton). More generally, there is a gray area when it comes to such non-human entities, and whether they should be seen as men/women or somethings that has just taken male/female guises. (I do not recall whether Michael was ever referred to by a pronoun.)

A related distortion is how Pepper (a child) showed strong signs of blindly believing in Gender-Feminist nonsense like the “Patriarchy”—and even accusing another woman* of being sexist towards her… My recollections of the “book Pepper” are of someone with a head of her own, who would be unlikely to blindly spout what her mother** (?) had told her.

*Or entity-played-by-an-actress. (Specifically, War, who was actually a woman, or using a female guise, in the book too.)

**Who might have been in the hippie and/or mother-goddess crowds.

The use of God (irrespective of sex) as a narrator found yet another area of problems when the character Metatron appeared and presented himself as the “voice of the Almighty”… As stressed, this was to be seen more as a metaphor (implying spokesman or similar), leaving God with her own more physical voice; however, the result is still absurd. Here it would have made more sense to make Metatron the narrator or to cut the character entirely. (To my recollection, he was only in one brief scene of the series, and had a considerably greater impact on the book.)

In a twist, the series (and the book) contains several points of which typical members of the PC crowd (and Feminists, Leftists, whatnot) might take heed. Note e.g. the complications caused by assuming that someone is “good” or “evil” based on group membership, rather than on the individual and actual actions. (Examples include the division into angels vs. demons, witches vs. witch-finders, decent people vs. Jezebels, and possibly a few more. In the book, Adam’s gang vs. the rival gang is likely an example.) Or consider the destructiveness of attempting to force people into a set of behaviors or opinions against their own will, most notably Adam vs. his gang. In the overlap between these two areas, the day was saved because Crowley, Aziraphale, and Adam ignored what they were “supposed” to do.

The recurring reader might recall my various delivery issues earlier this year. The deliveries in both book and series had a very different pattern, including several deliveries ordered hundreds of years in advance that arrived at the correct place at the correct time, and a delivery man so dedicated to performing his deliveries that he was prepared to (and did) give up his own life to do so.

Excursion on exceptional switches of medium:
In some cases, a switch of medium can be associated with changes that clearly improve upon the original. If additionally, the original is not yet widely known, the changes might be acceptable as per Oscar Wilde’s tulip analogy. For instance, two of my favorite TV series are based on inferior predecessors: “Buffy the Vampire Slayer” was preceded by a movie that was nowhere near as good—a complete* re-vamp (pun intended) made for a much better product. “Dexter” was preceded** by a book series that was vastly inferior—at least partially because of changes made, including Dexter no longer (literally) being possessed by a demon…

*However, some events from the movie, set before the TV series, have been validated in canonicity through later references.

**In my understanding, the book and TV series ran parallel with a highly diverging continuity, but the first book or books preceded the TV series. I have read two of the books and am in no hurry to add to my tally.

Written by michaeleriksson

June 1, 2019 at 9:45 pm

Undue alterations of fictional characters

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I have long thought highly of both Terry Pratchett and Neil Gaiman, and have read their collaboration “Good Omens” at least four times (albeit not within the last ten or so years). Correspondingly, it was with great interest that I took note of the television version of this work.

While the first episode is promising, it repeated the deplorable PC-ification of characters that plagues much of today’s TV and movies: in the first few minutes, we have the introduction of a female* God, a black** Adam and Eve, and a potentially gay*** Aziraphale. The rest of the episode contains several choices that might not be outlandish but did not match my natural expectation, including an Indian looking “Pepper”—would a British girl by the real name “Pippin Galadriel Moonchild” be likely to have non-White parents? On the positive side, the character Dog was not turned into a cat… Other recent examples include a female Doctor (“Doctor Who”), a female Mar-Well and a black Nick Fury**** (“Captain Marvel”), and a black Buffy (“Buffy the Vampire Slayer” reboot, still on rumor stage). Marvel Comics is indeed a repeating sinner, with other alterations including a black Kingpin and a black Heimdal (movies) and a female Thor***** (comics). To boot, there are problems with characters being altered in other ways, even when uncalled for and unnecessary, and even when allowing for a switch of medium (cf. a discussion of changes to Blyton’s works, where there is not even a medium switch).

*While a case can be made for God being a woman, the book (I checked) uses formulations like “he” and “his” in the introductory monologue that the TV version has turned into “I” (and whatnot) by a female speaker. Worse, the way this is handled raises the suspicion that the show’s makers went for a (failed) shock value, expecting a lulled into “he”-ness audience to be moved out of its comfort zone. Seeing that the frequency of female Gods in fiction has been quite high, this borders on the hackneyed. (For two off-the-top-of-my-head examples, see the movie “Dogma” and Phil’s claims on “Modern Family”.) Moreover, there are risks involved with making God the narrator, regardless of sex, e.g. in that a too high burden on infallibility arises or in that parts of the narration becomes odd—both exemplified by how the narrator speaks of what might have happened to the surplus baby.

**This could be seen as the realistic outcome of trying to combine Biblical creation stories with what science says about human evolution. However, I would be highly surprised if the original authors and readers of the Bible did not assume a “Semitic” look. (Also note the Shem/Ham/Japheth split of humanity at at much later stage.) Moreover, looking at the evolutionary record and e.g. the first use of fire and clothes, the more ape-like look of e.g. a Homo Erectus would have been a more appropriate result of such a combination.

***In all fairness, this might be over-interpretation by me and is not entirely incompatible with my recollection of the book.

****Repeating an error from a number of earlier movies—the more so, because Samuel L. Jackson just seems wrong for the part, even color aside.

*****According to claims from a few years back. As I have not followed the comics for twenty-something years, I am uncertain what eventually happened. The mere idea, however, of replacing a well-established character, with a mythological background to boot, borders on the soap-opera level.

(This counting only examples of a pre-existing character being altered and only some that occur to me at the time of writing—the list would be much longer if I had kept record; and not to mention the definitely disproportionate number of homosexuals and various trans-this-and-that, and what subjectively feels like a disproportionate number of black characters and female leads. Indeed, I have reached the point where I am almost surprised when there is not at least one homosexual in a TV series and where even erotic interactions have ceased to surprise me.)

In many cases, these alterations (or, more generally, character choices) seem pointless, unless a politically correct agenda (or an attempt to cater to those with such an agenda) is assumed. The odd one here-or-there might be acceptable for reasons like a certain actor happening to be the best choice for a certain part in all regards except for e.g. skin-color or sex, or the wish to reduce the dramatis personae*. With the current amount of change, such explanations do not suffice. Often, they are entirely unnecessary or even silly (Viking god Heimdal being black, e.g.)—there is no benefit from the female God of “Good Omens” and if a TV show about a female Time Lord was wanted, why not just make a show about a female Time Lord?** Equally, for a show about a black vampire-slayer, just go with another slayer—not the already established-as-white Buffy. In an interesting contrast, any casting of white people into naturally non-white parts*** is met with cries of “white washing” or “appropriation”, and extremists go to the barricades even for e.g. casting an NT in an aspie part****.

*A border-line example is the Peter Jackson version of “The Fellowship of the Ring”, where the male character Glorfindel is removed and his part of the story is taken over by the (also present-in-the-books) female character Arwen. Better examples are bound to exist. (And, no, I was not enthusiastic about this or a number of other deviations by Jackson either—but I can at least see the point of the change.)

**Note that the Doctor is not the one and only Time Lord in existence, and that female Time Lords have a long history on the show. (If Susan is counted, going back to the very first episode.)

***A notable example is the somewhat recent “Gods of Egypt”. While I grant that the result was a little odd, we have to factor in the likely lack of sufficiently many Egyptian-looking and English-speaking quality casting choices, that the equally great error of using English went without criticism, and that no-one prevented the Egyptians from making the movie first—but that they did not. (To boot, I have the suspicion that a casting with Egyptian looking actors would have been similarly attacked by believers in the discredited black-Egyptians hypothesis.) With older productions, e.g. the “Jesus of Nazareth” mini-series, questions of demographics would have made a “truer” casting quite hard.

****Note e.g. criticism against the TV series “Atypical”. Being a likely aspie myself, I find the criticism idiotic.

TV and movie makers, authors, comic artists, whatnots: Please stop this pointless, annoying, or even outright destructive nonsense.

Excursion on skin color vs. hair color:
Why would a change of e.g. skin color be worse than e.g. a change of hair color? First off, I dislike any type of such change that is not hard to avoid*—and this extends to hair color. However: a change of hair color could be explained by a dye job; skin color is more noticeable; skin color often has great implications in terms of character background; and e.g. comic artists are very likely to vary other** aspects of the character but will typically*** not mess with skin color, making it a fix aspect.

*Getting all the details right when e.g. moving from a comic to a (live-action) movie is hard, because finding a sufficiently look-alike actor would usually involve great compromises in terms of acting ability . Hair color is easy, in as far as someone with the wrong hair can wear a wig, shave or dye the hair, or whatever is appropriate.

**Which, frankly, annoys me too. I understand that not every artist will make carbon copies of the style of others, but some take so large liberties that I have had problems with identifying known characters before they were explicitly named or I saw them in the right context (e.g. in the right super-hero costume).

***There is the incredible Hulk…

Excursion on “Doctor Who” and my viewing choices:
When the casting of a female Doctor was first reached my ears, I wrote about the possibility of ceasing to watch the show. For now, this has indeed been my choice, motivated by the combination of the politically correct miscasting*, the preceding drop in quality over several years, and the many other alternative uses of my time (including, but not limited to, many other TV shows). I reserve the right to revise this decision at a later date.

*A claim that should not seen as a statement about the actress or her abilities, which I cannot judge, but only about the distortion of the character caused and, most importantly, the motivations behind it.

Written by michaeleriksson

May 31, 2019 at 10:13 pm

Some links on paper vs. plastic bags, and similar

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Looking at some old open browser tabs, I found a few interesting reads on topics like paper vs. plastic for bags, the effects of charging for bags, and related topics: [1], [2], [3], [4].

While I do not vouch for the correctness of the claims made, which might e.g. be partisan or outdated, they broadly support my skeptic stance towards “for the sake of the environment—honestly!” changes in German stores. (Cf. [5], [6], and possibly minor mentions elsewhere.)

Written by michaeleriksson

May 29, 2019 at 10:18 am

Quotes on school and unschooling

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Going through some unread browser tabs, I encountered a page with “unschooling” quotes that I highly recommend. While I do not agree with everything there, much of it overlaps with my own observations and previous claims on school, schooling, education, etc.

This including (items are often overlapping):

The importance to think for one self, e.g in:

3. “The illiterate of the 21st century will not be those who cannot read and write, but those who cannot learn, unlearn and relearn.”

— Alvin Toffler

9. Believe nothing merely because you have been told it . . . or because it is tradition, or because you yourselves have imagined it. Do not believe what your teacher tells you merely out of respect for the teacher. But whatsoever, after due examination and analysis, you find to be conductive to the good, the benefit, the welfare of all beings — that doctrine believe and cling to, and take it as your guide.

— Gautama Buddha

That learning stems from the student, not the teacher, and/or that education and schooling are different things, e.g. in:

20. “Learning is not the product of teaching. Learning is the product of the activity of learners.”

— John Holt

38. Education is an admirable thing, but it is well to remember from time to time that nothing that is worth knowing can be taught.

— Oscar Wilde

42. “Self-education is, I firmly believe, the only kind of education there is.”

— Isaac Asimov

73. Schools have not necessarily much to do with education… they are mainly institutions of control where certain basic habits must be inculcated in the young. Education is quite different and has little place in school.

— Winston Churchill

The importance of curiosity and/or how school is troublesome through damaging curiosity, e.g in:

6. “Just as eating contrary to the inclination is injurious to the health, so study without desire spoils the memory, and it retains nothing that it takes in.”

— Leonardo da Vinci

Exposing the horrifyingly flawed claim that school is beneficial through socialization or through teaching social skills. Putting children together with other children, rather than adults, and expecting them to learn social skills is absurd:

11. “Nothing bothers me more than when people criticize my criticism of school by telling me that schools are not just places to learn maths and spelling, they are places where children learn a vaguely defined thing called socialization. I know. I think schools generally do an effective and terribly damaging job of teaching children to be infantile, dependent, intellectually dishonest, passive and disrespectful to their own developmental capacities.”

— Seymour Papert

The low practical relevance of school:

8. “There were no sex classes. No friendship classes. No classes on how to navigate a bureaucracy, build an organization, raise money, create a database, buy a house, love a child, spot a scam, talk someone out of suicide, or figure out what was important to me. Not knowing how to do these things is what messes people up in life, not whether they know algebra or can analyze literature.”

— William Upski Wimsatt

(I do not necessarily agree with the exact examples given in this quote, but I do agree with the principle.)

Disclaimer: I have not made any attempt to verify the attribution of these quotes, nor have I read them in the original contexts. I caution both that quotes are often misattributed and that a reading in context can change the implications considerably.

Note on typography, etc.: The original typography might have been changed in detail for technical reasons, but should be true in principle. The inconsistent use of quotation marks is present in the original. The numbers are taken directly from the original page. (In all cases, referring to the state at the time of my opening the page.)

Written by michaeleriksson

May 29, 2019 at 8:54 am

A few comments after re-watching “Breaking Bad”

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After mentioning “Breaking Bad” a few weeks ago, I was motivated to re-watch the series—especially, the last season, which I had only seen once in the past.

Among the differences of the last season compared to my recollections was the relative innocence of Walter in the death of his brother-in-law (Hank), and in this the prior text was unfair. Walter and his dealings did cause Hank’s death, but very much against Walter’s will: He called in an attack unaware that one of the three intended victims was Hank, immediately (but unsuccessfully…) called it off as soon as he noticed Hank, and he later (again, unsuccessfully) tried to bargain his entire fortune for Hank’s life. This to some degree lessens my criticism of Walter. (And gives another example of the weakness of human memory. In my recollection, Hank’s death had resulted through a personal altercation between the two, possibly influenced by a prior physical, but non-lethal, altercation that did take place.)

On the down-side, Walter’s behavior in other regards was more psycho-/sociopathic or otherwise disturbed than I had remembered, which is cause for increased criticism, and his concern for human life seems to have dropped very rapidly outside his inner circle. Then again, some instances might go back to Walter simply playing a part, as he did with the phone-call placed to his wife in order to mislead the police (that he correctly assumed to be listening in). That instance was quite obvious, but there might have been non-obvious instances in the past. Of course, Walter was never as bad as the character Todd, who seemed to give human life no more value than that of an ant. Comparing him to Dexter of “Dexter”, a radical difference is that Dexter was very well aware of what he was, while Walter often seemed blind.

A few random observations on other topics:

References were often made to percentages (notably, purity of meth), e.g. comparing numbers like (possibly) 70, 90, 95, and 99 percent. These comparisons seemed to be made from a perspective of “99 percent is ten percent better than 90 percent”* (with variations). However, there are many instances when a reverse perspective gives a better impression of a difference—“1 percent short of the full 100 is ninety percent better than 10 percent short of the full 100”. Which perspective is more appropriate specifically for meth, I leave unstated; however, I would strongly recommend being aware of the reversed perspective in general. For instance, is a bowler who hits a strike 90 percent of the time roughly as good as a 80-percenter, or is he roughly twice as a good?

*Ten percent of 90 percent is 9 percent of the original measure, respectively 9 percentage points. Unfortunately, the dual use of percent can lead to some confusion here. I try to lessen it by keeping the percentages-of-percentages in letters and the “plain” percentages in digits.

During the later stages of the series, I found myself thinking of Walter as a man with a barrel—and immediately associated him with Diogenes*. While some similarities between the two can be argued, there might have been more opposites, including Walter’s barrel containing millions of dollars (and his low living standard being forced upon him), while Diogenes spurned riches for a life in poverty.

*Although his commonly mentioned barrel was actual a wine jar (or similar).

As mentioned in another text, the fifth season had been fraudulently split in Germany, into a fifth season and a last season, each covering roughly half of the true fifth season. Looking at the actual DVDs, I find that the “last” season carried the absurd title “die finale Season”, instead of the expected “die letzte Staffel”. Not only is the use of both “finale”* and “Season”** non-standard and likely taken over from English for the sake of sounding English, cool, or whatnot, but the use of “Season” implies a renewed and entirely unnecessary borrowing of a word that already exists as “Saison” (albeit from French). Thus, if this road had been taken, it really should have been “die finale Saison”, which, while stilted and unnatural, at least could pass for (poor) German. Unfortunately, such excesses, where existing and established German words are arbitrarily replaced, are quite common, as e.g. with buying “ein Ticket an der Counter” instead of “eine Karte an dem Schalter” (cf. a more generic discussion).

*Off the top of my head, I can recall no use of “finale” to imply “last” outside of DVDs. Use of “Finale” (as a noun) to imply e.g. the final game of a knock-out tournament is relatively common, but more “native” solutions are usually preferred, e.g. “Endspiel”.

**The correspondent of “[TV] season” is without exception “[Fernseh-]Staffel”. References to spring/summer/autumn/winter are preferably “Jahreszeit”. Other cases, like “bathing season” and “opera season”, can be translated with “Saison”, but are probably solved differently in most cases e.g. as “Zeit” (time, time period) or “Spielzeit” (opera/theater/whatnot season).

Written by michaeleriksson

May 29, 2019 at 12:33 am

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